![]() Two of the biggest selling points to Premiere Pro have been its native camera support (and its ability to handle many of those different camera formats) and the Mercury Playback Engine. Native Camera Support and Mercury Playback This new version is a very nice upgrade that makes some significant improvements over the last version in several key areas. People are still talking about Premiere Pro CS6, which I'll focus on for this review. The entire Adobe Creative Suite has also had impressive upgrades, which will be good news to Adobe fans that are getting used to using a number of Adobe applications that complement and interact with each other. It was a hot topic at NAB 2012, certainly, and Adobe’s booth was full of people taking in demos and asking questions. It’s really no harder than that.Everyone has been talking about Adobe Premiere Pro CS6 recently. But basically I think that if you can ride a bike, you can learn to edit magnetically. Having the choice, I now find myself working “magnetically” nearly always. However, if you decide to spread your work out and “scratch pad” elements in time without magnetism, a keystroke puts you in “position” mode and you can do that. When your goal is quick assembly or rapid scene re-ordering – or if you’ve built complex connected-clip relationships and want to move them as a single unit – magnetism rocks. For most of us, the moment you “get it” it just becomes a normal part of your life. Pretty much everyone has to learn bike riding through a bit of practice. I think the magnetic timeline is the editing equivalent of a bicycle. ![]() Clients will enjoy not having to wait for you to do multiple replace edits, or undo/redo over and over, or turn clips on and off repeatedly. This way we can Audition several different versions of an edit quickly, easily and save a lot of time. As we chose a specific asset it takes that place in the Timeline. We can place several assets in one place in our Timeline, then open the Auditions window to scroll between each asset. Unless you purposefully move it out of sync.Īn amazing new feature is called Auditions. With this Story Line and Connected Clips paradigm, nothing can possibly go out of sync, ever, at all. It's a new way to work, and some editors are finding it very comfortable. This makes for a more compact and easy to work with Timeline. If a Connected clip is deleted or moved, other Connected clips above automatically come down to fill in the gap. These Connect to specific clips inside the Story Line. Everything else will be cutaways, text, composites, sound effects, music, etc. FCPX assumes that your core story telling media is in the Story Line. Otherwise they are timed by In points.) Connect edits are another new concept. Using the Shift key along with the edit keys will back-time clips. (These are traditional three point edits. If you can remember Q, W, E, you're pretty much there. All of these elements act and look like tracks, but are much more dynamic, intelligent and easier to deal with.Įditing has been simplified with Append, Insert, Connect, Overwrite, and Replace commands, and very simple keyboard shortcuts. It also makes replace edits for filling them in very easy. A Gap Clip is a slug that we can ripple and roll with neighboring clips. This Story Line has unique characteristics, such as there can be no empty spaces this is handled by Gap Clips. There are no blatant "tracks," but we do have a track-like structure. Sorry in advance if I seems to be lazy, but I'm going to quote a couple of guy who explained it extremely well: But I can say that my rendering in Adobe Premiere Pro is pretty quick (I'm on a Windows i7 quad core 2.2 ghz with 16gb ram). Thought I heard it didn't, but they seemed to be doing a lot of updates, so maybe that's been added.īack to original post, which was about speed and rendering. Not sure if FCPX supports exporting out audio for editing. You get Premiere Pro, Audition, After Effects, SpeedGrade, Photoshop, just to name a few. I've been on it for a few months now - everything runs smooth, no problems. Anyone interested in Adobe should definitely check out creative cloud. You get 15-20 different Adobe programs.all for $50/month.$30 if you're a student or teacher. ![]() ![]() Adobe's Creative Cloud is an insanely good deal. Is this the case for you? Is it quicker? Somehow a better flow for creative editing? Would be interested in your thoughts and experiences about is right. But then I didn't really hear anything like that from the users. I remember hearing that FCPX was supposed to "transform the way we edit.making it quicker.and more in line with creative decisions/flow".
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